Showing posts with label news. Show all posts
Showing posts with label news. Show all posts

Wednesday, February 16, 2011

Save the NEA

It's that time again, when we get to play another round of "Culture Wars: Extreme Nincompoop, Edition X." That's right, you thought that we were done with the cretins who think the arts are a bunch of fluff and that they shouldn't be supported by tax payers money, but we're not. They were just napping, folks, and the culture war still rages.

I'm not going to explain why the arts matter, how little of our money goes to support the arts, how they finally have a rocking staff in place at the NEA or any of those things. I'm assuming my readers aren't dumb (try getting that respect from the regular media) and that you're up to speed on such matters, but perhaps have been so consumed keeping track of the revolutions going on in the Middle East via Al Jazeera English that you have missed the latest developments. That's the only reason I can think of for why we're not hearing more about this from the arts community. Hmmm, what's going on here.

Okay, anyway, here's the quick and dirty: Many State arts agencies have been recently cut - yes, entirely - in a few states and a few more are rumored to be following shortly. Now, the Republicans are threatening to eliminate the NEA entirely (and CPB) from the budget. Yes, it's true. You can read about it here and get active here (just don't expect a hip website or interesting campaign, mind you). I'm also linking some text Sundance sent out about it below.

You should care, you should get active, but I think we need to do more. I'm worried, however, that we can't or won't have much real impact, even if we keep their funding. I've been arguing that arts organizations need to prepare for this for quite some time, and I even wrote a chapter about it recently. I've suggested the field needs to make radical change, because such cuts aren't going to stop. I believe this strongly, yet I consistently get responses back from otherwise rational beings that I am supporting the Republican's arguments by calling attention to these problems and arguing we should change our business models. Good grief people - pointing out reality is not supporting their arguments, it is being practical. Part of that realism involves noticing things like the fact that when Obama came to office he appointed a big, gigantic brain trust of arts people to suggest policy changes. They recommended big things. Nothing happened. It means realizing that if Americans for the Arts only has an email campaign list of 50,000 people (thanks Leonard), we're in serious trouble. It means that everything we've done in terms of advocacy for the arts has largely been a waste of time.

We need more creative responses. Perhaps we need to put the artists in charge for once. Perhaps we need to recognize that not only do we need to rally and support the NEA, but that culture might just be the only thing that can pull us out of the continuing malaise in this country (you know, the one everyone but Wall Street is still in) and will definitely be the only thing remembered about this country when we're no longer relevant (I give that about 50 years, if it didn't pass 5 years ago....).

Yes, that's why the Republicans want to kill art - because it truly matters more than any of their bloviating nonsense. So, I'd really like to hear some good ideas for how to change the conversation. How to win this war. How to get a video about the need for the arts to go as viral as some kid biting his brother's finger. How to get a Kickstarter campaign started for a new, true Endowment for the Arts untouched by the grubby hands of either party.

That would be pretty cool.

In the meantime, listen to Keri Putnam of Sundance and do the following (from her email blast):

"

What you and I can and must do:

  1. Call your member of Congress NOW at 202-225-3121 and tell your representative that you oppose any and all amendments to cut NEA funding.

    If you are uncertain as to who represents you in Congress, click here.

    Remember! Congress is made up of ELECTED officials. They are there to represent us.

  2. Share this email with your friends, family, neighbors, colleagues... everyone.

On behalf of the staff, alumni and Board of Trustees of Sundance Institute, and artists everywhere, thank you for taking action."

Tuesday, February 01, 2011

I Want My AJE

Al Jazeera in Americaphoto © 2011 Mike Licht | more info (via: Wylio)While I'm on this whole Egypt obsession, let me bring up another new obsession of mine - Al Jazeera English. Yes, I've known about it before - they've actually been active in the indie doc space for awhile, aside from the other reasons to know about them - but I've never watched them as much as I have this past week. And....they're good. I want them on my cable line-up now.

In fact, AJE has not just had great coverage, it's been just about the only coverage you can find that is consistent, on the ground and not moderated by a bunch of doughy white people sitting in America. Jeesh. (and I'm allowed to say that because I am one). Seriously, couldn't any of the networks or news channels have found a few more Egyptian experts. You know, there's a rumor that some of them speak English and have degrees and what not. Look, we're not talking about some out of the way place that hasn't been our ally for like decades with just a few people running around up in arms. 80+ Million people are protesting in a modern country that has loads of good journalists, and we can only find a handful to put on the air.....shameful.

But not as embarrassing as having to watch CNN, Fox and MSNBC in comparison to the professionalism of AJE. I know that everyone already knows just how bad cable news is, but this week really put some extra perspective on the situation. I turn on AJE - live coverage of the most important news event of the week, if not the decade, and with great commentary and coverage. Heck, they even cut off important topics to cover....more important topics happening elsewhere in Cairo or some other Egyptian location, as opposed to some inane topic like Charlie Sheen doing more blow on some hooker's back. They ask the interviewees tough questions and act something like reporters.

I turn on CNN, and I got 5 minutes of former US Ambassadors sitting on the ground here pontificating about things they don't understand and an interview with an American who was so relieved to get out of the country. Then, a big pitch for me to vote on what story makes the news. Wow, CNN is with it man, they crowd-source the news? Who knew? And my story options....
Vote for:
1. Babies addicted to opium
2. Man sleeps with tiger
3. Nude woman protesters in the Ukraine.

I'm not making this up. They even tossed to the commercial with a quick set of images of those nude women protesters just in case I wasn't sure what to vote for. I forgot all about Cairo. Cured.

I don't generally watch any of our news networks unless there is a major global event. Even then, I usually switch over to the BBC or Guardian online for a better take on affairs. The important thing is, however, if I wanted to watch them, I could. Al Jazeera English....nope. I haven't researched this, but my understanding is there's been a lot of politics behind keeping them off most cable networks. While it has great carriage everywhere else, here in the good ol' democratic US of A it is limited pretty much to one satellite network. This is ridiculous and I hope they make progress in getting more carriage now that millions of Americans have been watching them online during these events. As I was writing this, I couldn't help thinking how much this state of affairs underlines the importance of net neutrality. I could write something pithy about it, but I found this on Wendy Seltzer's blog today and think she says it best:

"Moreover, the situation illustrates the value of open Internet here at home. Al Jazeera English, the television broadcaster giving the most thorough coverage of the Egyptian events — despite having its Cairo bureau closed and six of its journalists jailed — is not available through most US cable providers. Ryan Grim on Huffington Post calls this a “blackout”, but thanks to the Internet, that need not be a barrier. I’m watching Al Jazeera English on my computer, through pipes that can carry video, audio, and text of my choice. (So it’s disturbing to see Chris Sacca tweet that he “worked at an Akamai competitor when Al-Jazeera sought CDN [content delivery network: local caching that can help improve network delliery] help in 2002. US Gov made clear to us that we would suffer.” Cable’s limited-purpose pipe, where subscribers get only bundles chosen from among the channels their providers offer, seems an anachronism in the Internet age. We may still want to watch video (and not only create it ourselves), but we need Net neutrality’s assurance that we can get it from any source: peer, professional, or dissident."

Now, I have to note that many people complain about their anti-Israel bias. This is likely true and shameful, but to be expected given their base. I haven't witnessed this during my watching, but I believe this could happen. That said, it shouldn't stop our ability to watch it in the US. I've heard lots of horrible things, and seen lots of bias, on our existing channels, so we shouldn't stop AJE just because of this. The NYT mentions this in an article which came out today. I wrote this piece yesterday, but think the article is a good read if you want to contemplate what we do and don't allow on US television a bit more.

Watch the protests live on Al Jazeera English here.
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Monday, January 31, 2011

Egypt, Tunisia, Social Media and Change

164297_501518534290_511364290_5849813_4735509_nphoto © 2011 Al Jazeera English | more info (via: Wylio)The events in Tunisia and Egypt (and now popping up elsewhere) have been nothing short of extraordinary. It is too soon to say what will ultimately happen there, but what has been most fascinating to me, and what I am only slightly more qualified to comment upon, has been what it has revealed about the United States government, and its complete and utter failure to understand what was going on, and is going to continue to take place, globally.

When speaking of the impact of digital technology, I often use Warren Buffet’s quote about the recent economic collapse - that “it’s not until the tide goes out that you see who’s wearing the swim trunks,” and that digital has been like a great receding wave, revealing many a bad business model, or unveiling many realities that had been hidden away. It’s not that anything has changed, but our ability to see and share just how screwed we’ve been has never been easier. I used to call Delta and complain about their customer service, and tell a few friends, and that is where things stopped, whereas now I can easily unite an audience in open revolt against the entire airline industry. It has also been a tidal wave in terms of the way it allows everyone to rapidly create and rapidly share media and have greater impact on events beyond bad customer service, and actually influence the way we live - people are empowered with new tools that allow them to connect, expose secrets, corruption and/or bad political models and to act and possibly alter the world.

United States diplomacy (and failure at it) has not just been exposed to the world by weighty developments like WikiLeaks, but also the more banal evolution of communication which our leaders still fail to grasp - the speed by which people can communicate to one another and suss out the truth of almost any situation. This is nothing new, really. Smart people of all political stripes have always talked to one another about this or that “secret” that no one in power wants known. Now, however, this moves at the speed of light, or tweet-speed, and the emperor’s wardrobe is ever more transparent. When Biden went on television and said that Mubarak was not a dictator, he somehow still didn’t know that everyone watching (and then tweeting) knew he was lying and that Mubarak was a dictator. Biden still thought he had some communicatorial authority, an ability to shape the conversation, but that has long since disappeared. We not only knew he was lying, we knew why he was lying and also knew how and why he had already lost his moral grounding in the need to push this lie. We also know that while once this quote would’ve been a possibly apocryphal story of the lapsed ethics of our leaders, traded over drinks amongst news junkies, or perhaps even a scene in a future documentary seen by the very few, it will now be hyperlinked to every story ever told about this event, never to be forgotten, solely by sheer ease of reference.

Likewise, we could all laugh heartily at Secretary of State Clinton’s calls for openness, because we knew well what the US thinks of openness due to its recent juvenile response to Wikilieaks and its ongoing commitment to upholding the secrecy policies of the previous administration. Not to mention the calls from even crazier quarters to push for an internet kill switch. It has made for a pretty entertaining few weeks of TV watching, blog writing/reading, twittering as we watch the world’s collective “leadership” flail hopelessly at the digital disruptions now hitting the political sphere after wreaking havoc on the music, print, film, media and retail spheres. True, Iran cracked right back down on its protests and Egypt was able to shut down the internet, but these stories are far from over. Just because “the people” are now more empowered doesn’t mean they will always win, but they won’t stop trying. Sure enough, the protesters have used their offline social networks - such as friendships and meeting in mosques - to continue their actions even without the internet (and were doing so before the Egyptian government shut down the internet).

What’s interesting is how these protests/revolution(s) came together. By many accounts, it appears that both uprisings started because of the act of one man - in Tunisia, a street vendor named Mohamed Bouazizi, wronged by government bureaucracy, who in desperation, lit himself on fire; and in Egypt where it was reportedly the beating death of Khaled Said. These were the flash-points that tapped into an ongoing, slow build of public resentment against an elite, all-powerful government that had a habit of not listening to its people. But the people organizing the protests and leading it forward have been the youth. Established anti-government coalitions (such as the Muslim Brotherhood in Egypt), fell behind this movement and are now part of the mix, but the youth have led the action.

Malcolm Gladwell and Clay Shirky can argue all day whether or not social media helps spread a revolution, but something much more fundamental is going on here. Twitter, Facebook and other social media may not have started the revolutions, but they’ve been a part of it, mainly because of the most important factor in these revolutions - a growing young population very aware of the failures of the old regimes, often well-educated but frustrated by their job and future prospects, tightly connected to one another through social networks both new and old and, quite literally, with nothing much to lose. True, there are people of all generations involved in these protests, but the influence of a hyper-connected class of youth has been a very strong component of these recent events. They may be joined by many others, but youth unemployment and disaffection are at an all-time high, and guess what, youth media engagement is also at an all-time high. Unfortunately for world leaders, you can look around the world and see this same pairing in many a country, both despotic and democratic (or somewhere in-between).

The fact of the matter is, Egypt shutting down the internet was in some ways almost pointless. Unless you completely disconnect your population entirely, all the time, people are going to be social and find others like them online. They will communicate and form new networks and common likes and grievances, and discuss them. They are going to make media and share it, and often you won’t even know who its making fun of until it is too late. By the time a protest starts, the gig is up. Sure, China does a good job of censoring all of this chatter, but that hasn’t stopped people from spreading things like the story of Li Qiming, who after being stopped for a hit and run that killed one woman taunted “Sue me if you dare. My father is Li Gang!” (a high-ranking police officer). In the past this story would have been covered up, but it spread so quickly on the internet as a satiric quote in response to all kinds of corruption that the Government had to allow the story to disseminate and just now sentenced Li Qiming to prison. This story brings up the other undercurrent to these protests - the growing divide between the rich and poor.

As many others have pointed out, there’s a new global elite that hangs out together, builds companies together and rules the world together. As reported in The Economist, some 10 percent of the people in the world control 83 percent of the world’s assets. They are connected to one another, and yes, they are different than the rest of us. As the gap between the super-rich, merely rich, the somewhat rich and the poor widens, there’s a growing sense of inequity that feeds the sense that money and power are one, and this inevitably leads to backlash. Again, the people can talk about this, make media about it and share it and the story goes viral. By the time the “elite” wake up and try to change the conversation, it will likely be too late.

Interestingly, the new global elite also happen to invest heavily in the new technology economy and thus own most of the companies that make the real and virtual newfangled toys we play with. Many of these companies derive most of their value from the input of their users - Google and Amazon get smarter as you search and rate things - and while these products can make our lives easier and more fun, most of the real monetary value accrues to the companies and their shareholders.

What they haven’t seemed to realize until now is that while they may get rich and powerful sucking the data, dollars and power from the masses into these social networks, the masses might one day use these same tools against this very system. You connect the people and they might stop playing Farmville long enough to connect the dots. It is much easier now for the rest of the world to talk to one another and realize that, hey, regardless of political party or country, they’re all getting screwed.

Sure, these same tools can be used against protesters (and have been, in Iran, for example) and yes, you can shut off the credit processing to Wikileaks and the internet to all of Egypt, but once you’ve gotten people talking they don’t stop. Especially the young people. They switch to whispers, they use dial-up modems or phone in Tweets, pass notes through cell doors, but once they’ve shared the truth about the emperor (whichever “truth” they’ve chosen to believe), they don’t shut up.

The revolutions in Tunisia and now in Egypt are responses to very real oppression. You can’t overstate how different things are there from many other places in the world. The problems of disaffected youth in Europe, or the grievances of any given social network may pale in comparison (though not always), but it would be foolish to think that this political disruption won’t spread, in different fashion and at a different pace, to other parts of the world. There are many other countries with an educated youth that can’t find jobs, and that feel the older generations have squandered their future. There are many of different ages who agree with them. Even the magazines of the elite (it’s called The Economist for a reason) recognize that there’s been a growing gulf between the haves and the have nots and that historically, this has led to some bad things. Mix in the speed of communication and ease of connecting disparate groups that the internet offers and you’ve put an interesting spin on this old tale.

In America, the first of the groups to wake up to this reality were the youth who came out in droves for Obama. It’s hard to remember now, but he was a long-shot that only became the great hope after a lot of young, tech savvy people with time on their hands started pushing for him. Ironically, however, many of them now feel disillusioned and the torch has been passed to (grabbed back by?) the largely white, conservative, older, middle and lower class who form the Tea Party (the upper class just funds them). You couldn’t get a much different group than the protesters in the Middle East, but strange things happen in America. Many years ago, they would have been dismissed as just another John Birch Society, but through a mix of social media connection and activism, mixed with some old-fashioned (and borrowed) organizing, they’ve got their agenda on, well, ours. Back in the day, Rick Santelli’s rant from the Chicago trading floor would have inspired a small portion of the viewers of CNBC and perhaps some back-room discussions at think-tanks. Its impact would have only come after years or talking and organizing, but it formed an entirely new political party in the span of just a few weeks (a dire economy, Black president, Hispanic justice and openly gay senator helped fan the fire). Like them or loathe them, the Tea Party is just one harbinger of more to come.

The Tea Party is, to many onlookers, a strange, convoluted backlash to the changing face of America (I know that’s not how they see it, but that’s not the point). Look around America though, and there are a lot of other disaffected, upset people who aren’t represented in our political class or conversation at all (most of whom also raise the blood pressure of those in the Tea Party). They are talking, and while they may be stupefied and coddled by their American Idol and easy, consumerist access to anything they want, anytime they want, they are also starting to talk to one another much more often and that can only lead in one direction - more self- and group-awareness, and that usually leads to change.

In some cases, this will just mean little protests, as we see now with the LGBT community, and their supporters, fighting back against Don’t Ask, Don’t Tell. Soon, however, things could get interesting. What happens when the young wives of incarcerated men, usually flung around the country and very unimportant politically, can connect to one another online and form a voting block? What happens when Latinos, African-Americans, Asians and other people of diverse backgrounds (who also trend young) realize that not only are they now the majority in 10 of our major cities, but that their needs and desires aren’t being addressed by those gathered in Washington (or in Davos). Not all of this will lead to uprisings, or even slight protests, in every case, but it is going to make for something interesting.

The problems in the US are nothing compared to those suffered by people in the Global South, for just one example, but they also pale in comparison to even those in European countries with much less openness, or who have suffered worse through the recent economic crisis. There are legions of well-educated, under-employed people in these countries, and they’re all connected now. While some form of localized political unrest is highly likely in many places, it will be more interesting to see how people combine their common goals, grievances and wills across borders. We’re already seeing evidence of China, Iran and other countries blocking internet reports of the protests in Egypt, and this will likely spread as other regimes get scared. But that’s just the tip of the iceberg compared to more widespread coordination, which we’re only now seeing amongst those bent on global terrorism (or amongst those playing MMORPG, interestingly). What happens when more peaceful (or not), but better organized players connect, communicate and coordinate efforts? Who knows, but it’s something you can bet many government (and business) leaders will be thinking about for quite some time.

In fact, they already have begun thinking about this and planning. Lieberman’s internet kill switch is only a more obvious and public response to fears of people connecting and doing something (good or bad). You don’t have to think about this much to realize that if governments and corporations are meeting in secret to pass things like ACTA, to stop people connecting and sharing (pirated) music and films, they’re definitely having a few such meetings about what happens as this political disruption continues. The high-level interconnectedness of the political, military and corporate spheres was lain bare by the response to the WikiLeaks cables, and you don’t have to be a conspiracy theorist to play all of this out a bit further in your head. Every new technology that has held the potential to bring more power to the people has been inverted and changed to reassert the control of the powers that be. This won’t be any different, though for at least a few more years it may appear that way, and that’s mainly just because the kids are moving faster with this stuff than the adults can process it all.

For now, however, we’re in a time of massive change to the political process and the people’s involvement with it. It’s too early to tell whether this will lead to something better or worse in Egypt, or even Tunisia, but it is clear that for a short window of time, the possibilities for changing the status quo are better than ever. It will be messy, loud and sometimes violent, but more often just pretty damn interesting. There’s a lot of young people connected and talking, and they want to be heard. They are fed up with the status quo and they can see through all that was once made to be misunderstood. They’re talking to one another and they’re getting louder. Cacophony is noisy stuff, but some of those in power better hope these voices don’t get more harmonious.
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Monday, December 06, 2010

A new role for the film trades?

Earlier today, I was reading my Twitter feed and noticed that Sundance had announced their short film selections. I had an interest in this news, because several of my clients and friends were awaiting announcements (ok, those accepted already knew from the programmers) so I clicked through and read the press release. All the news I needed to know was there on the Sundance site for me - info on the films, the directors, how many had submitted, etc.

Within 30 seconds, I received tweets from all the film trades that I follow, as well as from nearly every film blogger on the planet that yes, indeed, Sundance had announced their selections. None of them seemed to add any news to the, uhm, news. If we can even call it news, rather than PR - there's an old saying that news is what someone doesn't want published, the rest is just PR, but that's another post.

This makes me wonder a few things. Since Sundance, and any other film festival, film organization, film company, etc. can reach me directly now, is there any need for the film trades to report this news? Especially if they aren't adding much in the way of analysis? I can actually see the argument for the regular press to publish it - readers of the NYT may not follow Sundance, but surely, anyone in the film business who needs to know about Sundance can hear it from their Tweets and doesn't need Indiewire (or Variety, or...) to relay that info anymore.

Does this news merit being the headline of your daily email news? Probably not anymore. Should it possibly be moved down to an "as noted" column at best? Probably so.

Does this give you, as a reporter and you, as an editor, more free time to devote to other stuff? Yes! There's a lot of news out there not getting reported by any of the trades. All kinds of info it would be good to know. Some real reporting could be done. Some digging, and even some making people angry for being a ....journalist. You know, the kind that digs for hidden stories, now apparently only done by Wikileaks. Come to think of it, since all of the trades seem locked in a battle to become less relevant by the minute, perhaps we just need to start a wikileaks for the film business. That would be news.

Now, I know many of the people at the trades, and most of them are good people. I am not attacking any particular trade here, or any reporter, nor am I arguing that all of what they do should be muckraking. But if you take a look at pretty much every trade on any given day, you quickly notice a lot of PR and not much news. We could use a balance between the two. Just a thought.

Thursday, September 16, 2010

Forget print, it's Journalism that is dead

As people continue to debate the possible futures for journalism and newspapers a common refrain is heard - it’s not newspapers that matter, it’s the quality journalism that goes into them. Everywhere one turns, it seems someone is bemoaning the future of this quality journalism. Where will poor Mrs. Journalism go? Consensus seems to be that we can lose the print, and maybe some respected daily newspapers won’t make the transition online due to the current small returns from online advertising, but we need to salvage quality journalism. Some have even suggested that the government get involved with some Pulitzerian Buyout scheme. This is all pretty curious stuff, however, considering just how low the public pegs their respect for journalists (and the media generally) in nearly every poll. Where did all this journalism love suddenly come from?

Whenever lots of people quickly agree on something that seems so evident, they are usually not only wrong, but also denying something painfully obvious that’s staring them right in the face. I think here it’s this whole notion of quality journalism existing at the major daily newspapers around the country. Now this is a tall order, and I’ll concede in advance that there are exceptions, but I think we need to call BS on this nonsense and focus our energies on creating something better.

I read two newspapers every day of the week. I read both the New York Times and the Wall Street Journal, in print, before I do anything else. I also read dozens of blogs, trade-journals, Tweets and other web media daily. I read a lot, mostly about film, old and new media, the arts and the nonprofit sector as my career has been focused in these areas. I care a lot about certain issues, like copyright, piracy, arts policy, technology, open source software, open education, film delivery systems and the general state of the film industry. On many of these issues, I would say that I am relatively well-versed in the arguments both for and against my position (when I even have one) and could easily tell you where to go if you want to hear the other side of whatever issue is being debated. I mention all this because whenever I read an article about ANY of these issues in the mainstream press (NYT, WSJ, USA Today, etc.) the journalist usually has the story completely wrong. Not sometimes, but usually, as in more often than not. They are either completely writing the press release of some special interest group, haven’t researched the issue well enough and missed the most important parts, have generalized it to the point of silliness either because they don’t trust their reader’s intelligence or want to not offend or done all of the above and worse. Out of all of the writers I read on these subjects, I can think of only one who doesn’t do this consistently, and that’s Walt Mossberg of the WSJ. But he is usually writing product reviews and answering tech questions, which doesn’t fall in the camp I am complaining about. When he does consider some larger issue in the industries he covers (like net neutrality), he usually gets it right, or at least intelligently writes about the different arguments so you can decide. That’s one reporter out of hundreds that I read consistently.

The problem is, if you start to talk to anyone in any field that is quite knowledgeable about a subject, they’ll usually agree with this complaint. My wife is in the healthcare field and whenever I point out an article I think is interesting about a subject, she can point out all the flaws and missing information in thirty seconds. I have friends in the business and banking worlds who say the same thing. Same with real estate, law and just about any profession I have informally surveyed. It appears that the journalism in the newspaper only seems good to those who don’t know much about a subject. I don’t know much about gold pricing, so am I to trust what the New York Times said about it this weekend? Not unless someone can tell me they know that better than they know copyright issues. I shudder to think about what is wrong with the political and war coverage, or anything else that really matters. Oh, wait, I do know about that quality - journalism’s incompetence in those arenas was proven pretty handily in the run-up to Iraq and again in the reporting of the lead-up to the last election.

Perhaps it’s time we start to acknowledge that it’s not just print that’s dead, but perhaps good journalism as well? Perhaps we should stop wringing our hands over the future of newspapers and magazines, and start thinking about how we can revive the best of earlier journalistic practices and nurture the few good examples we have out there from the new media. I’ve got a lot of thoughts about how this could begin, but this is a long post already - what do you think? Am I reading all the wrong things and missing all the great journalism out there? I’d love to hear your thoughts.

Monday, June 14, 2010

20under40

I mentioned recently at the bottom of a post that I've been posting less frequently because I've been very busy with my "writing time" on editing a chapter that was selected to be part of the new book - 20Under40: Reinventing the Arts and Arts Education for the 21st Century. 20<40, as I'll call it from here on out, is a great project put together by Edward Clapp and you can learn more about the other authors here, and even go ahead and pre-order the book here. My chapter is about "Inventing the future of the arts" and you can see a short summary of my idea in an old post here. Since the time of that post, I consolidated some of the ideas and now have just seven ideas (as opposed to 10) that I will be writing about. I'm in some intense editing now, but should be done soon....if I stop procrastinating by writing other things, like this blog post!

Now this might seem like a shameless plug, because it is, but I'm also plugging this because I think it would be a great project to duplicate in the film and media arts world. I once suggested 20 leaders under 40 in the film world, but I'd really love it if some reader volunteered to help put together a similar project for film. Perhaps an open call for ideas, maybe not a book but a film or robust online and video project...who knows, but it would be great to hear some of the good ideas out there, especially those coming from voices we don't often hear (which aren't always under 40...I know). If anyone is interested in taking this idea up, get in touch. In the meantime, check out the 20<40 site for updates on events, the book, other authors and what not.

Tuesday, April 06, 2010

The trifecta that broke the internet as we know it

That deafening applause you hear is not from Durham, NC post NCAA, but rather from the MPAA and the representatives of other major content providers on both sides of the Atlantic cheering on what may be looked back upon as the trifecta week that broke the internet as we know it. Three momentous things took place simultaneously this week that combined are more important than most people realize - the Ipad was released, the UK looks poised to pass Debill and a federal appeals court ruled that the FCC doesn’t have the right to regulate broadband, thus possibly ending its ability to enforce network neutrality.

Nail number one. Lots of people went and got themselves an Ipad yesterday, and many in the film industry are debating whether this is a good thing or a bad thing for independent creatives. Big media is rejoicing, as they think this will be their savior - allowing them to put the genie in the bottle and start selling their content to huge profits again. Old world computer geeks can’t seem to stand the closed, one-way nature of the Ipad (consumption), but their grandma’s seem to love it. Indie lovers think that wow, now they can make an application and actually make money for their content, or get their films seen by more people on the Netflix API. I have serious doubts that indies will be served well by these developments. Sure, a lucky few will make cool applications off the API to serve up and charge for their content, but most of us will be stuck where we’ve always been  - begging some gatekeeper to get our content onto the most used platforms. More importantly, this is a consumption machine - no USB drive, so you can’t even bring in your own content easily, no camera in front, sanction needed from on-high in Apple HQ, yadda yadda. My personal hope - this is like AOL in the early days. Everyone will flock to the ease of use of the walled garden for awhile and then realize they can do much more outside of it. That’s probably a best-case scenario, because this thing is popular and it’s hard to convince a public looking at something cool that there could be something even cooler than what they have. I can’t blame them, and we’ll see if perhaps this becomes the consumption machine for those things created on laptops, etc., including those creations of independents. In the meantime, the main reason I’m not playing with one is less philosophical - price.

Wednesday, February 17, 2010

ACTA...wasthat? and why it matters

Well, the New York Times finally covered what is arguably the most important tech/film/net/future/etc story going on in the world (a close second to the Google/Authors Guild proposed rip-off) yet I'm not seeing much about it in the blogs and tweets I follow from the film world. That's bad news, because this is something every filmmaker should be aware of, as well as anyone who is interested in the future of content online. Or the future of the net, really, and that should be everyone. So what the heck is ACTA and what can you do about it?

I know, I know, these policy things make your head hurt. Mine does too, and this one is a doozy. ACTA, or the Anti-counterfeiting Trade Agreement. Haven't heard of it? That's because you aren't supposed to know about it. It's a top secret negotiation between major countries to combat counterfeiting. You're probably thinking well, piracy and counterfeiting are bad, so what? Well, there's lots of arguments against that view, but even with it, it's a pretty big concern when major countries meet in secret, with no democratic input, about possible rules which could forever change how we access content online. Guess what....your needs as a little indie producer/consumer probably aren't on the list. But you can bet those of the MPAA are, and knowing how like the RIAA they've become, you can bet their proposals amount to breaking the net to preserving their business model.

These talks are secret, you know, like the ones you kept when you were twelve, so details are scant, but there's been leaks and they've have included some doozies.

Wednesday, February 10, 2010

Upcoming panels and workshops

I've been here in London, doing some consulting and speaking at Shooting People's "Short-sighted" event at BAFTA. It was a great conference and I highly recommend that filmmakers check out the line-up of speakers and (eventually to be posted) the videos of the day. They gave out many resources for indie filmmakers, especially short filmmakers, and I learned a lot. More soon, but there was a fascinating discussion about advertisers/sponsors and indie films, inspired by a dialogue with MoFilm. They've got an interesting model for short filmmakers working with brands. Check out their page for some details on how they work, and the contests they are running. Many filmmakers have benefited from the program, but some in the audience took issue with the corporatization of indie filmmaking, as well as their deal structure and payments. I'll have more thoughts on this soon, but for now a note to festival and conference producers - this is the conversation to be having going forward and it's much more interesting than new distribution yadda yadda stuff. The biggest change to indie will be how we work with advertisers, sponsorships and corporate support for media (or don't). Especially in Europe as state subsidies dry up and corporate support becomes one of the only viable options. What are the ethics, the best practices, horror-stories, etc. What do we think about this as indie filmmakers and what is our stance? More soon....

I'm very excited to be speaking soon at several cool events. Check out the following websites, not just to see me speak, but because the other speakers are pretty great and there's bound to be some great conversations. I look forward to learning more about the future of the business at each of them:

First up on March 27th is "The Conversation." Scott Kirsner has been running this excellent event in a few cities for a couple years now and I'm excited to be part of the line-up in NYC. Check out the schedule and sign-up soon.

The following week on April 3rd is "DIY Days NYC." Lance Weiler is putting together an excellent group of speakers, and what I like about this is that he's looking at innovation beyond just film - in music and other arts as well. This one is free, so consider this and the Conversation and it's like a 2fer1 special!

Later this Summer I'll be participating in a new Lab from Power to the Pixel - a full week of intensive training and discussion around trnasmedia and the future of the business. As the organizers explain -
"The Pixel Lab, a ground-breaking new residential course centred in developing, producing and distributing cross-media stories – stories that can span film, TV, online, mobile, gaming. The Lab is open to anyone with a strong track record in the European film and related media industries."

You have to apply soon, so check the website asap. And, if you need a cool job, they are hiring a producer for the event, so look into that as well.

I'm booking some other talks and projects soon and hope to report more in the coming weeks.

Wednesday, December 30, 2009

10 Film Trends that spell success and doom



This has been the year of new experiments in film and media. Whereas there used to be a few of us touting the new models, it now seems to be a cacophony of voices all extolling how the new tools available to us will change the world and make indie film successful. Ok, there's been a lot of gloom and doom talk as well, but as my reading list shows, there's been a lot of great new models proposed. But whenever a crowd agrees on something, well, something's wrong. So, here below are ten of the most promising developments of the year and a few words about why I think each one is also worrisome. Or rather, why the future remains uncertain. Note in advance - I really believe in the good side of many of these things, but I'm always contrarian...

1. Direct connection with your fans. Earn 1000 Fans and you can make a career. You can now connect directly with your audience and make a living. But to quote Matt Rosoff of CNET - "The common wisdom today dictates that musicians need a personal connection with their fans. They must blog, tweet, maintain their MySpace and Facebook profiles, and generally act like your next door neighbor who's always pestering you to see his band. There's a word for receiving "personal" messages from your favorite 100 bands--it's called "spam." Eventually, this cloud of self-promotional noise will dissipate, and will be replaced by old-fashioned word of mouth." I can't say it better. So, remember, as every other filmmaker catches up with audience-connection - and this means Hollywood too - you've got more emails, more requests for micro-funding and a lot more noise. Who do you think will drown in this noise....?

Thursday, October 08, 2009

Araya, Flyway, OpenIndie, PTTP and other SFTF


Some updates on current cool stuff:

I had a chance to catch Araya this week, and have to say - it's beautiful. Go see it now at IFC Theatres while you can see it on film. It's a great restoration of a lost film by the folks at Milestone (who re-released Killer of Sheep) and it's a beautiful print and a beautiful doc story. The NYTimes review suggested it was a snooze, and that couldn't be further from the truth - I was fascinated the entire time. Highly recommended.

My friend Signe Baumane emailed me to let me know her great film Teat Beat of Sex is available on DVD. In typical Signe fashion, it's a hilarious, over the top animated film with 15 short "lectures" on sex. Order now.

I'm speaking soon at the Flyway Film Festival. Their schedule is up online now, and I'm impressed with the line-up as well as with the great tweets by their director Rick Vaicius @flywayfilmfest. I'm also speaking soon at Power to the Pixel's Cross-Media forum at the London Film Festival. My speech promises to be a snooze, but the other speakers are great.

There's been a lot of press about this lately, but kudos to Arin Crumley and team for launching the campaign for OpenIndie. It's a great idea for indie film community building that should be supported. It's just a beginning, but an important one. Check it out.

Last, a non film related plug - The absolute best part of my summer has been visiting Governor's Island as often as possible. This is the last weekend of the season, so if you haven't been go there now.

Just a few cool things on my mind today.

Thursday, July 30, 2009

Help Northwest Film Forum


I got this email today from a friend at the Northwest Film Forum in Seattle. I'm a big fan of this theatre, and hope a few of you will join me in helping them out.

Friends, compatriots, and loved ones, I'm here with what could be the biggest small ask of my life.

I am writing to you to ask for your help. I am asking you for $10, the price of an average movie ticket. The Film Forum has had done many great things this year, but much like other organizations our income is off by 30%. And while we remain scrappy and imaginative in tough spots, this time is different.

We are looking at real changes at the Film Forum unless you say yes and support us. We need to reach a goal of $70,000 by August 15. Please walk it in, mail it in, or visit www.nwfilmforum.org to make a donation.

You and 10,000 others are receiving this, which means you regularly find our emails and enews in our inbox, which means that you care, too. Maybe you even love what we do and believe the city is a better place - more sophisticated, inspired, or just more fun -- because of the films we show here, the summer filmmaking camps we offer to kids, the screenwriting and film editing classes we schedule, the filmmakers we bring to town (and the classes they teach), and the movies we are so instrumental in getting made.

Classes, filmmaker support, equipment rental, special screenings, and film series, many of these programs may be put on hold, shelved, or stopped altogether without your small gift. That means programs such as Soul Nite and ByDesign could go. It means fewer masterpieces such as "Silent Light" showing up on our screens. It means maybe no more camera rentals. Jobs and programs are on the line.

So, as the movie voiceover says, imagine a world: imagine a world in which people can open a door and find community. Imagine a world in which emerging filmmakers can receive the advice, equipment, collaborators and support they need to make their movies. Imagine a world in which anyone can register for classes to get the tools they need to enter the fields of screenwriting, editing, and video production. Imagine a world in which you can see movies that change the way you see the world. Imagine a world where you can find people of a like mind for inspiration and community.

Fifteen years ago we did that, all of it. To summarize what the Film Forum provides the city would take a much longer letter, but if you are a member or regular patron you have a pretty good idea already. You already believe in what we do.

You can keep all this, now, for the price of a ticket at your average movie theater. It's tough out there, we know that; we have tried our best to keep moving ahead in spite of the current economy. But now we know that some of what we do and provide will go dark without your support.

I am asking you urgently. If you have benefited from our equipment, from the images on our screens, from our classes, from our network of people, from our famously great parties, we are asking you to say yes, you believe, yes you can give $10. Yes.

Please make a donation here.

Monday, May 18, 2009

Thoughts on the death of newspapers





















Yesterday, I attended a great panel/workshop at Philanthropy New York, an organization of foundations and other philanthropists, on the future of the newspaper. It was titled "Internet to Newspapers - Drop Dead" but that was just the lead, teasing you in for a good discussion. The panelists were a pretty smart bunch -
  • Steve Coll, President of New America Foundation, and a staff writer at The New Yorker magazine
  • Nicholas Lemann, Dean and Henry R. Luce Professor, Graduate School of Journalism at Columbia University
  • Victor Pickard, Senior Research Fellow, Free Press
  • Vincent Stehle, Program Director, Surdna Foundation (moderator)
Although I hope they don't represent the future of newspaper's diversity as a bunch of white men (sorry, but this is an ongoing problem on these panels), I do think they had good thoughts on the future. Two of them are well respected journalists, one a leader of a big journalism school, one a leading researcher on the field, one whose organization cares greatly about the future of democracy and one who helps support all of this as a funder and advocate. The audience was a great mix (and relatively diverse) - with journalists, heads of major foundations, heads of newspapers and community leaders, so the discussion was pretty good.

Essentially, everyone seems to agree that good journalism is important to our civil society and to democracy and that it needs to exist. No one seemed to really care if that takes the form of an actual newspaper, or some new type of news organization although it seemed many in the room still like print, they're pretty much over it if need be. There's also pretty general agreement that the model of newspapers is failed. I don't think I have to summarize any of these arguments, as that's all pretty self-explanatory.

What no one can agree upon is a solution, or whether the current solutions being proposed are worth much. The most comprehensive look at possible solutions just came out last week as a report from the group FreePress and is available here as a PDF. I think it's worth a read, because many of the struggles of news organizations are the same as those faced in film. One newspaper owner in the room said that while all media is suffering, the death knell at newspapers is palpable, to which I responded that these fears are just as palpable in the film world, we just don't get to write our own news about it.

While I am greatly simplifying the possible strategies, they seem to boil down to these (mainly from the report, but some from in the room):

1. Allow new ownership structures - this would mainly allow newspapers to become nonprofit organizations and/or low-profit L3C alternatives. No one was saying that every paper should be a nonprofit, but rather that in all other media we have a mixture of both, commercial and non, for profit and non and the tax code needs to allow for this conversion in newspapers. There are some good models already, my favorite being the newspaper I grew up with, the St Petersburg Times owned by the nonprofit Poynter Institute. This would allow newspapers to get certain tax breaks, receive donations and foundation grants, etc. Many people seem to favor this model, but I am not so sure (see below). Senator Benjamin Cardin has introduced a bill that would allow this, so it's getting some traction.

2. Have the government subsidize newspapers. The government would give tax breaks and direct monetary support to the sector. This would recognize their value to our government. While this has big problems - how free would such a press be to report on said government, etc - it's being heavily promoted now and is being seriously considered. It's worth noting that government support isn't actually new - the press has been subsidized in the past, and continues to be - free airwave spectrum to broadcasters, reduced postage for mailings, etc.

3. Give incentives for divesture - this essentially means that you'd encourage local ownership, diverse ownership, and other new structures through structured bankruptcies of dying media. They may actually consider it, because the owner's shares are becoming worthless;

4. Put up a pay wall - The ongoing call for this is ridiculous, but so often repeated that I must address it here. The idea is that you'll pay a subscription or micro-payment for newspaper content. While many are skeptical this will work at all (and the Free Press report addresses these arguments well), it will definitely only work if every newspaper/print/online news org does it at the same time. This means they'll need antitrust exemptions. The newspaper owner in the room felt that nearly every paper could be saved "if only people were charged and would pay a fair price." Yep, that's exactly the dilemma... and thus far nothing has worked.

5. Fund journalism training - Train journalists better with more funding, whether they are writing for a big media company or a little blog;

6. Create an R&D fund for journalistic innovation -this idea is one I like. Essentially, government and foundations, etc would invest in experiments in new models. One major, very major, journalis funder in the room confided that he's tried to get traditional big media companies to experiment, with their underwriting, and none would do it, they're just too resistant to change. But such a fund would allow for more experimentation, and lord knows we need some new models, so this idea is great;

7. Fund new public media - transform public broadcasting by greater investment, so you ensure a robust journalistic environment. No one thought public media was doing a good job, but all thought there was a chance for some improvement.

I was not so sure any of these answers will work. My frank assessment, which I shared with the group is that if these are the best ideas we can come up with for journalism, then perhaps we should let them all fail and just invest in the new folks coming up with supportable models. As someone who runs a nonprofit, I can say that the nonprofit model is seriously broken - I continually preach that what we need more of is for-profit/nonprofit collaboration and thinking, mixing the best of both models. So sure, let's explore some hybrids, and thus the Cardin bill is a good first step, but to think that becoming nonprofit will solve your woes is wrong. If your underlying business model - using news as a way to sell cars - isn't working, then you will just as surely fail as a nonprofit as a for profit. Nonprofits also must make money, they just don't give it back to shareholders. And in case you haven't noticed, foundations are struggling so don't count on them for a bailout. On top of that, there's plenty of bad management in nonprofits, so that won't solve your management problems. Nonprofits must also raise lots of earned income - many now bring in more than 50% through sales - of tickets, tshirts, cookies, etc. So, newspapers will still need to earn a profit from some form of sales (although perhaps ancillary items, not news).

I also don't think going to the government will work so well right now. If we think of the government as the representative of the people, then you've got a lot of funders/public who think that journalism failed them recently in the lead-up to Iraq, and the lead up to the financial crisis, etc. There may be good journalism and journalists out there, but try telling that to a general public that usually rates journalists as just barely above Dick Cheney in the admiration and trust columns. Seriously, passing this by the American public won't be easy. Not to mention all those freedom of the press worries, etc. So, we should try some government subsidies, but only if they support really innovative strategies, not the status quo.

This public support will also lead to a very real question - if good journalism is so important to our democracy, important enough for the taxppayer to help foot the bill through taxes, tax breaks, etc then why do you want me to pay for it twice by then paying a micropayment or subscription? Not that I will, or that anyone likely will, but there goes that business strategy. But this is the real kicker of the whole debate - payment. Real news gathering (not the opinion pages, and the like) is expensive to produce and someone has to pay for it. The industry keeps saying the public must pay, but sorry folks, as much as we want micropayments and subscriptions to work, they just don't.

Advertising has fallen, and it may not even work very well, but this is capitalism babe, and it ain't disappearing altogether. And while people may not pay for your content the same way as before, at the same levels, they will pay for very valuable content. What's becoming increasingly clear is that journalism can survive, and even a new version of a newspaper, perhaps a news organization that uses multiple delivery mechanisms, but it may not make enough to keep a small monarchy system in place. I know that in my field, film, I could easily spend very little money and hire some of the best film writers out there and within months put the leading industry publications out of business just by being more nimble, having low overhead and by being willing to experiment more. I don't have time for that, but someone will soon. The "big media" in film, Variety and Hollywood Reporter, just can't get it right, and have bloated costs from their legacy models. If you can do this in one industry, I'm sure you could do the same for international news. Yes, you'd face the eyeball problem - getting the eyeballs that a New York Times has, but look at how quickly eyeballs have accumulated on many a start-up from YouTube to Twitter. You don't need a printing press, don't need a fancy new building, don't need a subscription team bugging me every day, don't need a network of delivery drivers who miss my delivery half the time, don't need a lot of things. I'm being very simplistic, but you get my drift.

The problems facing newspapers are not unlike those facing film and other content media. We all know the digital problems and possible solutions. But they're also similar in another way - both suffer from some incredibly bad management and inability to change. Many of the problems facing newspapers have nothing to do with digital, they are legacy problems - things like focusing on gossip instead of hard news, declining readership as people have more options, media consolidation that favored less quality work, the fact that haf of advertising doesn't work, and we're learning through better metrics what half that is, etc. Frankly, however, there's been a lot of inertia because in most towns things settled into a system where one paper ruled the day, and if you owned a printing press you could essentially print money. Lots of it. You had no reason to change, no reason to think about the future. No reason to invest in the future. And if you were making money hand over fist on soft news, who cares about the "public good" of good journalism. Now that the economy has, in the words of Warren Buffet, taken the tide out and shown us who is wearing clothes and who isn't, many a bad business model is being exposed.

I obvously don't have all the answers, and I don't expect them to have all the answers either, but this is their industry and someone in it should be able to come up with a business plan that's better than trying to put the genie in the bottle and start charging micropayments for their content. They've tried it before and failed. So if we're going to think of giving newspapers a foundation or government lifeline,then we need new thinkers with better models. I read the New York Times and the Wall Street Journal in print every morning before I start work and I care about good journalism and its importance to civil society, but I don't think we should suffer fools for long. While there are many great employees at many newspapers, there's an awful lot of bad thinking at the top (and I know there are exceptions). So that's why I think the smarter investment in our future is in the start-ups and the more nimble, usually smaller, press around the country. I don't expect all the big media to implode, and don't want some of them to go away, but I do think that the most profound changes will likely be too hard for the big guys to stomach - to embrace those changes, they'll need to undercut their existing model even more. I do think that the crisis is serious enough to warrant some intervention, but like the recent bailout, any such intervention should come with some serious strings attached that ensure that what media survives isn't just more of the same old schlock, but more of the journalism we need.

These aren't my final thoughts on the subject, just my initial ones from yesterday's conversation. Got any good ideas on what should be done? Leave some comments.

Photo Credit - Thomas Hawk